From The Jacket:
Sometimes all you can do is fly away home . . .When Sylvie Serfer met Richard Woodruff in law school, she had wild curls, wide hips, and lots of opinions. Decades later, Sylvie has remade herself as the ideal politician's wifeher hair dyed and straightened, her hippie-chick wardrobe replaced by tailored knit suits. At fifty-seven, she ruefully acknowledges that her job is staying twenty pounds thinner than she was in her twenties and tending to her husband, the senator.Lizzie, the Woodruffs' younger daughter, is at twenty-four a recovering addict, whose mantra HALT (Hungry? Angry? Lonely? Tired?) helps her keep her life under control. Still, trouble always seems to find her. Her older sister, Diana, an emergency room physician, has everything Lizzie failed to achievea husband, a young son, the perfect homeand yet she's trapped in a loveless marriage. With temptation waiting in one of the ER's exam rooms, she finds herself craving more.After Richard's extramarital affair makes headlines, the three women are drawn into the painful glare of the national spotlight. Once the press conference is over, each is forced to reconsider her life, who she is and who she is meant to be.Written with an irresistible blend of heartbreak and hilarity,Fly Away Homeis an unforgettable story of a mother and two daughters who after a lifetime of distance finally learn to find refuge in one another.
Fly Away Home
by Jennifer Weiner
*Author Website: http://www.jenniferweiner.com/
*Other Books by Same Author: “Best Freinds Forever” ,”Certain Girls”,”Good in Bed”,”In Her Shoes”,”Little Earthquakes”,”Goodnight Nobody”,”The Guy Not Taken”
One of Lizzie's counselors in Minnesota suggests that she uses her camera as a distancing strategy, saying, "If you're taking pictures, it takes you out of the story . . . it turns you into an observer instead of a participant." Lizzie instead thinks that her camera offers her a role as the family historian. Which do you think is true, and why?
Both Diana and Richard are involved in extramarital affairs with people that they meet at work. Did you judge them and their actions differently? If so, can you explain why?
The mother-daughter relationship is central to Fly Away Home. Discuss how the female characters reacted against their mothers in their own life choices.
Flight and escape are recurrent themes in the novel. In contrast, HALT is the mantra Lizzie learns in rehab to help her address addictive behaviors. What do you think the author is saying about coping mechanisms? In which instances do these seem to be healthy and effective, and in which are they neither?
How are Lizzie and Diana shaped by their relationship with their father? What do their choices in men suggest? Compare and contrast Jeff, Doug, and Gary to Richard. How are they similar, and how are they different?
The concept of working mothers is particularly fraught in this novel: both Selma and Diana work in demanding professions that have traditionally been male-dominated, and while Sylvie is not traditionally employed, she admits that she "she took care of Richard, and it was a job that left little room for taking care of anything else . . . sometimes not even her daughters." How important is a career to how each of these women defines herself?
When Sylvie tells Tim about the incident between Lizzie and Kendall, she says that she and Richard had chosen incorrectly. Do you agree? Putting yourself in Sylvie's shoes, what would you have done?
Diana says that she had essentially arranged her own marriage with Gary, but that perhaps "passion, chemistry, attraction, whatever you wanted to call it, was like a kind of frosting that could be smoothed over the cracks and lumps of a badly baked cake." What do you think about this statement?
Sylvie is preoccupied by how the media and public view political wives who "stand by their men." Did reading Fly Away Home change the way you think about women like Elizabeth Edwards, Jenny Sanford, Silda Spitzer, or Hillary Clinton?
We see Sylvie, Diana, and Lizzie both as daughters, and as mothers (or expecting mothers!). Did you see their personalities shift in each role? If so, how?
Richard tells a young Diana that "sometimes serving the people—the big-P people—meant that he was less available for the little-P people that he loved." Do you think that in a job as high-powered as Richard's, family relationships inevitably suffer?
Lizzie and Diana each seem to define themselves in relation to the other—namely, as each other's opposites. In what ways is this true? In what ways are they similar?
Selma asks Sylvie, "Would Richard be happy with a different kind of marriage? A different kind of wife?" Based on what you saw of the Woodruffs' marriage, what do you think? What do you envision happening between Richard and Sylvie?