From The Jacket:From the author of the magnificent, award winning Gilead comes a masterpiece novel that returns to the people and places of Gilead. Hundreds of thousands were enthralled by the luminous voice of John Ames inGilead, Marilynne Robinson’s Pulitzer Prize–winning novel. Home is an entirely independent, deeply affecting novel that takes place concurrently in the same locale, this time in the household of Reverend Robert Boughton, Ames’s closest friend. Glory Boughton, aged thirty-eight, has returned to Gilead to care for her dying father. Soon her brother, Jack—the prodigal son of the family, gone for twenty years—comes home too, looking for refuge and trying to make peace with a past littered with tormenting trouble and pain. Jack is one of the great characters in recent literature. A bad boy from childhood, an alcoholic who cannot hold a job, he is perpetually at odds with his surroundings and with his traditionalist father, though he remains Boughton’s most beloved child. Brilliant, lovable, and wayward, Jack forges an intense bond with Glory and engages painfully with Ames, his godfather and namesake. Home is a moving and healing book about families, family secrets, and the passing of the generations, about love and death and faith. It is Robinson’s greatest work, an unforgettable embodiment of the deepest and most universal emotions.

From The Jacket: A powerful novel about race, class, sex, and a lie that refused to die. Alabama, 1931. A posse stops a freight train and arrests nine black youths. Their crime: fighting with white boys. Then two white girls emerge from another freight car, and fast as anyone can say Jim Crow, the cry of rape goes up. One of the girls sticks to her story. The other changes her tune, again and again. A young journalist, whose only connection to the incident is her overheated social conscience, fights to save the nine youths from the electric chair, redeem the girl who repents her lie, and make amends for her own past. Intertwining historical actors and fictional characters, stirring racism, sexism, and anti-Semitism into an explosive brew,Scottsborois a novel of a shocking injustice that convulsed the nation and reverberated around the world, destroyed lives, forged careers, and brought out the worst and the best in the men and women who fought for the cause.

From The Jacket: Jake Jameson is a sixty-five-year-old architect who is on the cusp of retirement. One evening he’s sitting alone in the office, staring down at an architectural drawing. He can’t quite figure out what he’s supposed to do with it. Suddenly he remembers a word, one for which he has been searching for days to recall: entropy--for him the singular most interesting theory that exists, a theory that says everything loses, rather than gains, order. This idea underlies this riveting tale of a man whose memories are slowly eroding. As Alzheimer’s begins to wear away his sense of identity, Jake builds stories around his life that inform his feelings of blame and responsibility--only to have the stories disintegrate faster than he can capture them. As the plot keeps shifting and the facts unravel, little mysteries start to form: for example, what was the problem with the missing letter "e"? What was behind the mythologies that his Jewish mother told him as a child? Where is his daughter, Alice? What happened to her? Eventually we realize that even Jake’s clearest memories may not be true. He is the flawed witness to his own past, the ultimate unreliable narrator. Yet in the end we are left with a clear and moving portrait not only of a sympathetic man but also of a heartrending disease as seen from the inside out. Arrestingly understated and wise, THE WILDERNESS is a memorable first novel from an extraordinarily gifted new writer. .

From The Jacket: From the moment Louisa first catches sight of the strange man who occupies a forbidden room on the thirty-third floor, she is determined to befriend him.Unbeknownst to Louisa, he is Nikola Tesla—inventor of AC electricity and wireless communication—and he is living out his last days at the Hotel New Yorker.Winning his attention through a shared love of pigeons, she eventually uncovers the story of Tesla’s life as a Serbian immigrant and a visionary genius: as a boy he built engines powered by June bugs, as a man he dreamed of pulling electricity from the sky.The mystery deepens when Louisa reunites with an enigmatic former classmate and faces the loss of her father as he attempts to travel to the past to meet up with his beloved late wife. Before the week is out, Louisa must come to terms with her own understanding of love, death, and the power of invention. The Invention of Everything Else immerses the reader in a magical mid-twentieth-century New York City thrumming with energy, wonder, and possibility.

From The Jacket: In the 1680s the slave trade was still in its infancy. In the Americas, virulent religious and class divisions, prejudice and oppression were rife, providing the fertile soil in which slavery and race hatred were planted and took root. Jacob is an Anglo-Dutch trader and adventurer, with a small holding in the harsh north. Despite his distaste for dealing in â "flesh" .He takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, "with the hands of a slave and the feet of a Portuguese lady" .Florens looks for love, first from Lina, an older servant woman at her new master’s house...

From The Jacket: Sweeping in scope and mesmerizing in its evocation of time and place, Burnt Shadows is an epic narrative of disasters elided and confronted, loyalties offered and repaid, and loves rewarded and betrayed. August 9, 1945, Nagasaki. Hiroko Tanaka steps out onto her veranda, taking in the view of the terraced slopes leading up to the sky. Wrapped in a kimono with three black cranes swooping across the back, she is twenty-one, in love with the man she is to marry, Konrad Weiss. In a split second, the world turns white. In the next, it explodes with the sound of fire and the horror of realization. In the numbing aftermath of a bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost. In search of new beginnings, Hiroko travels to Delhi two years later. There she walks into the lives of Konrad’s half-sister, Elizabeth, her husband, James Burton, and their employee, Sajjad Ashraf, from whom she starts to learn Urdu. As the years unravel, new homes replace those left behind and old wars are seamlessly usurped by new conflicts. But the shadows of history - personal, political - are cast over the entwined worlds of the Burtons, Ashrafs, and Tanakas as they are transported from Pakistan to New York, and in the novel’s astonishing climax, to Afghanistan in the immediate wake of 9/11. The ties that have bound them together over decades and generations are tested to the extreme, with unforeseeable consequences.

From The Jacket: As I resigned myself to the fact that the latest Household Guide I’d written would be my last, I conceived in a flash the best idea ever. I rang Nancy and left a message. Think of the title, I said. How catchy does The Household Guide to Dying sound? When Delia Bennet author and domestic advice columnist is diagnosed with cancer, she knows it’s time to get her house in order. After all, she’s got to secure the future for her husband, their two daughters and their five beloved chickens. But as she writes lists and makes plans, questions both large and small creep in. Should she divulge her best culinary secrets? Read her favourite novels one last time? Plan her daughters’ far-off weddings? Complicating her dilemma is the matter of the past, and a remote country town where she fled as a pregnant teenager, only to leave broken-hearted eight years later. Researching and writing her final Household Guide, Delia is forced to confront the pieces of herself she left behind. She learns what matters is not the past but the present that the art of dying is all about truly living. Fresh, witty, deeply moving and a celebration of love, family and that place we call home this unforgettable story will surprise and delight the reader until the very last page.

From The Jacket: Who is Alfred Gibson? Does the public really know him better than his wife?Alfred Gibson ’s funeral has taken place at Westminster Abbey, and Dorothea, his wife of twenty years, has not been invited. The Great Man’s will favours his children and a clandestine mistress over his estranged wife. Dorothea is left only with the comforts of her feisty youngest daughter Kitty, whose attempts to demonise her father challenges Dorothea’s memories. When an invitation for a private audience with Queen Victoria arrives, she begins to examine her own life more closely.Dorothea revisits their courtship, early days of nuptial pleasure and domestic family fun before the birth of too many children sapped her vitality. But she also uncovers the frighteningly hypnotic power of this celebrity author. Now Dodo will need to face her grown-up children, and worse, her dual nemesis of ten years before, her redoubtable younger sister Sissy and the charming actress Miss Ricketts. Gaynor Arnold’s deep understanding of human relationships marks out this story of a strong woman in an age when women weren’t perceived as such Erica Wagner, Times Dorothea, the narrator and heroine of Gaynor Arnold’s ambitious first novel, proves herself to be more than the doting Victorian wife of a restless genius who resembles Dickens, despite being called Alfred Gibson. Hers is the story of a kind and good woman who is not content to be remembered as a mere footnote when the official Life of the great man comes to be written Paul BaileyA real triumph...I was hugely impressed by how authentically she catches the Inimitable’s galvanic behaviour and modes of speech Professor John LucasArnold’s portrayal of Gibson/Dickens is spot-on - charismatic, theatrical, depressive; preoccupied with death and with childhood; endlessly courting celebrity and reputation. Accurate too is the recreation of Dickens’s boisterous household: a collective hullabaloo with him at the

From The Jacket:It is 1940. France has fallen, and only a narrow strip of sea lies between Great Britain and invasion. The war could go either way and everyone must do their bit. Young copy writer Catrin Cole is drafted into the Ministry of Information to help write women in propaganda films something that the men arent very good at. She is quickly seconded to the Ministrys latest endeavour: a heart-warming tale of bravery and rescue at Dunkirk. Its all completely fabricated, of course, but what does that matter when the nations morale is at stake? Since call-up has stripped the industry of its brightest and best, it is the callow, the jaded and the utterly unsuitable who must make up the numbers: Ambrose Hilliard, third most popular British film-star of 1924; Edith Beadmore, Madame Tussauds wardrobe assistant turned costumier; and Arthur Frith, whose peacetime job as a catering manager has not really prepared him for his sudden, unexpected elevation to Special Military Advisor. And in a serious world, in a nation under siege, they must all swallow their mutual distaste, ill-will and mistrust and unite for the common good, for King and Country, and in one case for better or worse

From The Jacket:What if the history of the transatlantic slave trade had been reversed, and Africans had enslaved Europeans? How would that have changed the ways in which people justified their inhuman behavior?

From The Jacket: In 1837 an ailing Elizabeth Barrett is confined to bed, suffering debilitating illness. Longing for a return to health and mobility, she corresponds with friends, endures uncomfortable remedies, writes poetry and frets over her father and siblings.

From The Jacket: In this globe-scattered Sri Lankan family, we speak of only two kinds of marriage. The first is the Arranged Marriage. The second is the Love Marriage. In reality, there is a whole spectrum in between, but most of us spend years running away from the first toward the second. [p. 3] The daughter of Sri Lankan immigrants who left their collapsing country and married in America, Yalini finds herself caught between the traditions of her ancestors and the lure of her own modern world. But when she is summoned to Toronto to help care for her dying uncle, Kumaran, a former member of the militant Tamil Tigers, Yalini is forced to see that violence is not a relic of the Sri Lankan past, but very much a part of her Western present. While Kumaran’s loved ones gather around him to say goodbye, Yalini traces her family’s roots–and the conflicts facing them as ethnic Tamils–through a series of marriages. Now, as Kumaran’s death and his daughter’s politically motivated nuptials edge closer, Yalini must decide where she stands. Lyrical and innovative, V. V. Ganeshananthan’s novel brilliantly unfolds how generations of struggle both form and fractures families.

From The Jacket: Hailed as a writer of uncommon clarity by the New Yorker, National Book Award finalist Allegra Goodman has dazzled readers with her acclaimed works of fiction, including such beloved bestsellers as The Family Markowitz and Kaaterskill Falls. Now she returns with a bracing new novel, at once an intricate mystery and a rich human drama set in the high-stakes atmosphere of a prestigious research institute in Cambridge, Massachusetts. Sandy Glass, a charismatic publicity-seeking oncologist, and Marion Mendelssohn, a pure, exacting scientist, are codirectors of a lab at the Philpott Institute dedicated to cancer research and desperately in need of a grant. Both mentors and supervisors of their young postdoctoral protégés, Glass and Mendelssohn demand dedication and obedience in a competitive environment where funding is scarce and results elusive. So when the experiments of Cliff Bannaker, a young postdoc in a rut, begin to work, the entire lab becomes giddy with newfound expectations. But Cliff’s rigorous colleague–and girlfriend–Robin Decker suspects the unthinkable: that his findings are fraudulent. As Robin makes her private doubts public and Cliff maintains his innocence, a life-changing controversy engulfs the lab and everyone in it. With extraordinary insight, Allegra Goodman brilliantly explores the intricate mixture of workplace intrigue, scientific ardor, and the moral consequences of a rush to judgment. She has written an unforgettable novel.

From The Jacket: Tom Loxley, an Indian-Australian professor, is less concerned with finishing his book on Henry James than with finding his dog, who is lost in the Australian bush. Joining his daily hunt is Nelly Zhang, an artist whose husband disappeared mysteriously years before Tom met her. Although Nelly helps him search for his beloved pet, Tom isn’t sure if he should trust this new friend. Tom has preoccupations other than his book and Nelly and his missing dog, mainly concerning his mother, who is suffering from the various indignities of old age. He is constantly drawn from the cerebral to the primitive--by his mother’s infirmities, as well as by Nelly’s attractions. THE LOST DOG makes brilliant use of the conventions of suspense and atmosphere while leading us to see anew the ever-present conflicts between our bodies and our minds, the present and the past, the primal and the civilized.

From The Jacket: In the 1680s the slave trade was still in its infancy. In the Americas, virulent religious and class divisions, prejudice and oppression were rife, providing the fertile soil in which slavery and race hatred were planted and took root. Jacob is an Anglo-Dutch trader and adventurer, with a small holding in the harsh north. Despite his distaste for dealing in â "flesh" .He takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, "with the hands of a slave and the feet of a Portuguese lady" .Florens looks for love, first from Lina, an older servant woman at her new master’s house...

From The Jacket: In a crumbling apartment building in post-Soviet Russia, there’s a ghost who won’t keep quiet. Mircha fell from the roof and was never properly buried, so he sticks around to heckle the living: his wife, Azade; Olga, a disillusioned translator/censor for a military newspaper; Yuri, an army veteran who always wears an aviator’s helmet; and Tanya. Tanya carries a notebook wherever she goes, recording her observations and her dreams of finding love and escaping her job at the All-Russia All-Cosmopolitan Museum, a place which holds a fantastic and terrible collection of art knockoffs created using the tools at hand, from foam to chewing gum, Popsicle sticks to tomato juice. When the museum’s director hears of a mysterious American group seeking to fund art in Russia, it looks like she might get her chance at a better life, if she can only convince them of the collection’s worth. Enlisting the help of Azade, Olga and even Mircha, Tanya scrambles to save her dreams and her neighbors, and along the way discovers that love may have been waiting in her own courtyard all along. And so in Ochsner’s fable-like, magical debut, we see the transcendence of imagination. As Colum McCann has said: "[Ochsner] manages... to capture our sundry human moments and make raw and unforgettable music of them."

From The Jacket: Set in Malaysia, this spellbinding and already internationally acclaimed debut introduces us to the prosperous Rajasekharan family as its closely guarded secrets are slowly peeled away. When Chellam, the family’s rubber-plantation-bred servant girl, is dismissed for unnamed crimes, her banishment is the latest in a series of recent, precipitous losses that have shaken six-year-old Aasha’s life. A few short weeks before, Aasha’s grandmother Paati passed away under mysterious circumstances and her older sister, Uma, departed for Columbia University--leaving Aasha alone to cope with her mostly absent father, her bitter mother, and her imperturbable older brother. Beginning with Aasha’s grandfather’s ascension from Indian coolie to illustrious resident of the Big House on Kingfisher Lane, and going on to tell the story of how Appa, the family’s Oxford-educated patriarch, courted Amma, the humble girl next door, Evening Is the Whole Day moves gracefully backward and forward in time to answer the many questions that haunt the family: What was Chellam’s unforgivable crime? Why was Uma so intent on leaving? How and why did Paati die? What did Aasha see? And, underscoring all of these mysteries: What ultimately became of Appa’s once-grand dreams for his family and his country? Sweeping in scope, sumptuously lyrical, and masterfully constructed, Evening Is the Whole Day offers an unflinching look at relationships between parents and children, brothers and sisters, the wealthy and the poor, a country and its citizens--and the ways in which each sometimes fails the other. Illuminating in heartbreaking detail one Indian immigrant family’s secrets and lies while exposing the complex underbelly of Malaysia itself, Preeta Samarasan’s debut is a mesmerizing and vital achievement sure to earn her a place alongside Arundhati Roy, Kiran Desai, and Zadie Smith.

From The Jacket:On what might become one of the most significant days in her husband’s presidency, Alice Blackwell considers the strange and unlikely path that has led her to the White House--and the repercussions of a life lived, as she puts it, "almost in opposition to itself." How can she both love and fundamentally disagree with her husband? How complicit has she been in the trajectory of her own life? What should she do when her private beliefs run against her public persona?-

From The Jacket:Days after being dumped by her boyfriend Marc in Paris – "he was heading off to an ashram and said we could communicate telepathically" – Hattie hears her sister Min has been checked into a psychiatric hospital, and finds herself flying back to Winnipeg to take care of Thebes and Logan, her niece and nephew. Not knowing what else to do, she loads the kids, a cooler, and a pile of CDs into their van and they set out on a road trip in search of the children’s long-lost father, Cherkis. In part because no one has any good idea where Cherkis is, the traveling maters more than the destination. On their wayward, eventful journey down to North Dakota and beyond, the Troutmans stay at scary motels, meet helpful hippies, and try to ignore the threatening noises coming from under the hood of their van. Eleven-year-old Thebes spends her time making huge novelty cheques with arts and crafts supplies in the back, and won’t wash, no matter how wild and matted her purple hair gets; she forgot to pack any clothes. Four years older, Logan carves phrases like "Fear Yourself" into the dashboard, and repeatedly disappears in the middle of the night to play basketball; he’s in love, he says, with New York Times columnist Deborah Solomon. Meanwhile, Min can’t be reached at the hospital, and, more than once, Hattie calls Marc in tears. But though it might seem like an escape from crisis into chaos, this journey is also desperately necessary, a chance for an accidental family to accept, understand or at least find their way through overwhelming times. From interwoven memories and scenes from the past, we learn much more about them: how Min got so sick, why Cherkis left home, why Hattie went to Paris, and what made Thebes and Logan who they are today. In this completely captivating book, Miriam Toews has created some of the most engaging characters in Canadian literature: Hattie, Logan and Thebes are bewildered, hopeful, angry, and most of all, absolutely alive. Full of richly skewed, r

From The Jacket:It is 1917 and Rachel is working as cook for the imperious Mrs DuPree, matriarch of a mens boarding house in Chicagos reeking slaughterhouse district. She falls in love with Mrs DuPrees handsome soldier son, Isaac, who announces his intention to stake himself a claim to 160 acres in the Badlands. Realising that her affection is unrequited, Rachel nevertheless contracts a deal with the man she loves: if she signs a separate claim for a further 160 acres, doubling the size of his property, he will marry her and take her away with him. It is a decision Rachel will regret for the rest of her life. Battling both her husbands suicidal pride and the elementsfirst a searing drought and then a deadly winterRachel is determined to give her children the life they deserve, even if it means leaving Isaac DuPree for good