The Marriage Plot

The facet of this book I found the most intriguing was the timelessness of the subject of love, marriage and relationships - a constant in life and as pointed out in this book a constant in literature. The story is about three college friends who graduate and go on to discover who they are and who they should spend their lives with. It's a coming of age story, as intense and complex as the feelings that emerge during this trying time in one's life. Jeffrey Eugenides creates atmosphere and interesting multi-dimensional characters. The story follows Madeleine, Leonard and David as they begin the next phase of their lives.

Some of the intensity of the storyline flows from Eugenides realistic and somewhat disturbing look at the disease of manic depression. He offers clear insight on the fallout of this disease. I liked the complexity of the plot - many interesting threads and insights into the human condition. In short a wonderful study of post-graduate life, mental illness and an intellectually gripping story. Not a book for everyone as the author tends to digress quite a bit with many philosophical and literary references, bogging things down. However, certainly well worth the read for those who appreciate a literary read and enjoy a good character driven novel.

1. The opening scene features a litany of the books Madeleine loves. What were your first impressions of her, based on her library? How are her beliefs about love transformed throughout the novel?

2. When Phyllida fell in love with Alton, she gave up her dream of becoming an actress in Hollywood. What sustains the Hannas' marriage despite this sacrifice? How are Alwyn and Madeleine influenced by their parents' marriage? Is Alwyn's marriage to Blake a bad one?

3. In Jeffrey Eugenides's depiction of Brown University culture in the 1980s, what does it take for the students to impress one another and their professors? What might Roland Barthes and Jacques Derrida have to say about the signs in Dr. Zipperstein's Semiotics 211 class?

4. Why is Madeleine more attracted to Leonard than to Mitchell? As she copes with Leonard's instability and her feelings of guilt, how does mental illness shape the relationship?

5. What does Mitchell hope to discover as a student of religion? What role does religion play in his quest to be loved? Is his ideal-a religion devoid of myth and artificial social structures-attainable?

6. What does sex mean to Madeleine, Leonard, and Mitchell? Over the course of the novel, what do they discover about fantasy versus reality and the tandem between physical and emotional satisfaction?

7. What recurring themes did you detect in Mitchell's trip overseas as he tries to manage his money, his love life, and Larry? Does he return to America a stronger, changed person or an amplified version of his college self?

8. What does Alwyn try to teach her little sister about being a woman by sending the Bachelorette's Survival Kit? What does the kit help a woman survive?

9. Madeleine's parents are affluent and have enough free time to stay very involved in her life. Does this liberate her, or does it give her less freedom than Leonard, who is often left to fend for himself?

10. In their chosen career paths after college, what are Leonard and Madeleine each trying to uncover about life? Does his work on the yeast-cell experiment have anything in common with her work on Victorian novels?

11. Would you have said yes to Leonard's marriage proposal?

12. How does the novel's 1980s setting shape the plot? Do twenty-first-century college students face more or fewer challenges than Madeleine did?

13. Discuss the novel's meta-ending (an ending about endings). Does it reflect reality? What were your expectations for the characters?

14. Eugenides's previous fiction has given us unique, tragicomic perspectives on oppressive families, gender stereotypes, and the process of trying to discover our true selves. How does The Marriage Plot enhance your reading of Eugenides's other works?

15. Who did you become during your first year after college?

New York Times Notable Book of 2011 A Publisher's Weekly Top 10 Book of 2011 A Kirkus Reviews Top 25 Best Fiction of 2011 Title One of Library Journal's Best Books of 2011 A Salon Best Fiction of 2011 title

One of The Telegraph's Best Fiction Books of the Year 2011 It's the early 1980s-the country is in a deep recession, and life after college is harder than ever. In the cafes on College Hill, the wised-up kids are inhaling Derrida and listening to Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. Title One of Library Journal's Best Books of 2011 A Salon Best Fiction of 2011 title

As Madeleine tries to understand why "it became laughable to read writers like Cheever and Updike, who wrote about the suburbia Madeleine and most of her friends had grown up in, in favor of reading the Marquis de Sade, who wrote about deflowering virgins in eighteenth-century France," real life, in the form of two very different guys, intervenes. Leonard Bankhead-charismatic loner, college Darwinist, and lost Portland boy-suddenly turns up in a semiotics seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old "friend" Mitchell Grammaticus-who's been reading Christian mysticism and generally acting strange-resurfaces, obsessed with the idea that Madeleine is destined to be his mate. Title One of Library Journal's Best Books of 2011 A Salon Best Fiction of 2011 title

Over the next year, as the members of the triangle in this amazing, spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they learned in school. Leonard and Madeleine move to a biology Laboratory on Cape Cod, but can't escape the secret responsible for Leonard's seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love. Title One of Library Journal's Best Books of 2011 A Salon Best Fiction of 2011 title

Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the Novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.