Discussion Questions and Reader's Guide for Roses by  Leila Meacham


By Leila Meacham

PBR Book Review:

(by- Linda ) Roses by Leila Meacham is a sweeping saga that spans about 70 years and three generations. It's immensely enjoyable and a perfect winter read, one that invites curling up by a fire. Meacham keeps the plot moving with twists, conflicts and family feuding, however I fell in love with the three main characters. They burst at the seams with warm southern charm and hospitality. Meacham captures the essence of their passions. She transports you to Texas and their big Texas life style as powerful plantation owners. You feel what they do and although not a tearjerker, the book does bring tears to your eyes a few times.

The plot is not without surprises, but is a bit predictable at times and personally I did not enjoy Rachel's story as much as Mary and Percy's. But it's well written, easy to read and engaging. In summary it's a big, (624 pages) old fashioned, epic type novel with well defined characters that will draw you in with their big personalities. It's a wonderful love story that provides hours of pure entertainment. Loved it!

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Discussion Questions

1. Early in the story, an elderly Mary Toliver contemplates the changes that have taken place in the community she's lived in all her life: Sassie now refers to "dinner" as "lunch" (37), the Toliver mansion has been outfitted with modern conveniences. Yet "the antebellum grace of the avenue remained the same, a small part of the South not yet gone with the wind" (38). How do these surface observations set the tone for the deep traditions and powerful changes that are described throughout the story? What things in your home (or community or family) have changed over time, and what has stayed the same?

2. When a desperate young Mary tries to find solace in the mother who has seemingly turned her back on both her daughter and her late husband, Darla replies, "You ask me what else he could have done.... He could have loved me more than he loved his land. That's what he could have done" (55). This is the first of many times that we see bitterness over a loved one choosing Somerset above all else. What do you think it was about the land that was worth so much for so long, until Mary's death?

3. From a young age, Mary is stubborn and headstrong, believing that she knows without a shadow of a doubt what is best for herself, her family, and Somerset. In a heated argument with Percy Warwick, she declares, "What none of you can see is that I am honor bound to carry out my father's wishes.... I would never marry a man who didn't understand and support my feelings for Somerset" (60). What is it besides the confidence of youth that gives Mary such conviction? Have you ever been similarly completely sure of something, only to realize later that you were wrong?

4. Amos Hines (and many others over the years) is shocked and skeptical when he reads of the Toliver curse: that any owner of Somerset will never have more than one heir. Mary was convinced of the curse's reality by the end of her life, but what are other, more credible downsides to owning this particular piece of land? Is the curse truly specific to Tolivers?

5. Mary is positive that Lucy Gentry, despite her devotion to him, could never be the kind of woman that Percy could care for, yet Mary is truly taken by surprise when Percy tells her he plans to marry no one but her. How is it possible that she could have been so perceptive of his desires (and her own) on one count, yet completely blind on another?

6. Lucy insists to her roommate that she can be with Percy, saying, "My love for him will blind him" (90). Later she pushes herself into the Warwick household, determined to spend as much time with Percy as possible. Can such relentlessness and aggression work in the realm of love (keep in mind that Percy uses a similar tactic when he bargains with Mary to test whether they can live without one another)? How would you have dealt with such an unwanted visitor in your home if you were Percy's mother?

7. Percy admits to Mary, "I want to marry you because I love you. I've loved you all your life, ever since you smiled at me through your cradle bars. I've never considered marrying anyone else (115). He's taken the concept of love at first sight to a new level-is it really possible to love someone the way he has, for your entire life?

8. Think about how promises play out in the novel: Rachel's promise to her late father to care for Somerset, Ollie's promise to Mary that he'll protect Percy, and Percy's being left with a commission from Mary to keep Somerset out of Rachel's hands are just a few of the pledges that are key to the story. What others are there? When were they beneficial, and when are they destructive?

9. When Mary complains that Miles has abandoned the Toliver family for Paris, Percy points out that "Miles has the same right to his choices as you to do yours" (148). At what point (if ever?) does individual happiness come before family obligation? How would Mary (at a young age and at an older age), Percy, Miles, and Rachel each answer that question?

10. Emmitt Waithe is disturbed by Mary's desire to expand her farm with Fair Acres, saying, "This is not about vision. This is about blind desire that falls short of greed only because you love the land.... It's your pride pushing you to buy Fair Acres" (170). Is he correct? What distinction, if any, is there between Mary's desire to do right by her family and her desire to find satisfaction for herself?

11. "Apprehension and fatigue were her constant companions. Worry went to bed with her at night and awoke with her in the morning" (180). Why does Mary keep at this unrelenting, thankless farm work, particularly as Percy spends time with other women? What are her drives, and what are his?

12. Compounding the horror of Darla's suicide are the pink ribbons she left behind, the memory of which "writhed between [Mary and Percy] like a poisonous snake" (197). Roses and the colors pink, red, and white all have major significance in the story. What kind of symbolism to we ascribe to objects and their colors today? Why do you think that those objects that represent emotions are so important and powerful?

13. Throughout the ups and downs of their relationship, Percy is steadfast in his knowledge that they are meant to be together, while Mary-just as certain at every moment- wavers: "It was inevitable that she and Percy would clash...steel against steel" (207); "This was love, she thought.... They would work out their differences. They needed each other" (213); "I am Somerset....To separate me from the plantation is to have half of me. I would not be the same. I'm convinced of that now" (236). Why is it so difficult for Mary to understand what she "knows," only to realize, in the end, that she has made a mistake?

14. Had Mary and Percy married after all, do you think that their relationship would have worked out in the end?

15. Percy marries Lucy after he accepts that Mary is gone, but the new husband and wife realize they have made a grave misstep. "He'd married her knowing it was the idol she loved and not the man" (296). When have you gotten what you most wanted, only to realize that it wasn't at all what you'd expected?

16. Wyatt's teacher realizes that the boy picks on Matthew because he is lonely. Later, when Lucy realizes that Matthew is Percy's son, she realizes that all this time, her husband has been lonely. Why were father and son, both such lonely figures, unable to find a bond until the end of Matthew's life? How does this relationship compare to the other parent/child connections (or lack of) in the story?

17. So many of the conflicts in Roses arise from traditions: keeping Somerset in the Toliver family above all else leads to a host of problems, the impossibility of financial aid among the Toliver, Warwick, and DuMont families drives Mary and Percy to commit fraud, and everything repeats itself again with Rachel and Matt's generation until Mary's codicil ends the lock on Somerset. What place do traditions have in your life, and how do they help or hinder you in your endeavors?

18. Discussing all the troubles that have arisen from their decisions, Mary and Percy are distraught about what they are responsible for until Percy suggests, "Maybe we should begin by forgiving ourselves for the pain we've caused" (363). At what point does one have to shift from atoning for the past, and look to moving into the future with a clear conscience?

19. Both Mary's mother Darla and Rachel's mother Alice have rifts between themselves and their daughters caused by Somerset. How are the two mothers the same, and how are they different? What were the two daughters' reactions to their distant mothers?

20. "So the difference, Rachel, is that your father would look upon the proceeds of the sale of Aunt Mary's property as compensation. He'd consider it charity to share in the profits of what he ran away from" (429). Is this legitimate reasoning? Do you think that William would agree with his wife's assertions about his perceptions?

21. Should Mary have revealed the necessary fraud she had to undertake to the nephew that she inadvertently insulted? Should she have warned Rachel of the power of Somerset before cultivating her grand-niece's passion for farming? What knowledge does the older generation owe its heirs, and when should that knowledge be passed down?

22. Did Mary really "save" Rachel, as she told Amos at the beginning of the story?

Discussion questions by the publisher.

Book Summary

Two East Texas families must deal with the aftermath of a marriage that never happened leading to deceit, secrets, and tragedies in a sweeping multigenerational Southern saga "with echoes of Gone with the Wind" (Publishers Weekly).

Spanning the 20th century, the story of Roses takes place in a small East Texas town against the backdrop of the powerful timber and cotton industries, controlled by the scions of the town's founding families. Cotton tycoon Mary Toliver and timber magnate Percy Warwick should have married but unwisely did not, and now must deal with consequences of their momentous choice and the loss of what might have been-not just for themselves but for their children, and their children's children.

With expert, unabashed, big-canvas storytelling, Roses covers a hundred years, three generations of Texans, and the explosive combination of passion for work and longing for love.
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